The Livermore Home at Squam River Landing. The exterior is Cedar singles and Cedar trim. With the lower roof done with metal roofing and upper in asphalt shingles.

Photo by Audrey Hall

Robert Swinburne

This shade arbor, located in The Woodlands, TX north of Houston, spans the entire length of the back yard. It combines a number of elements with custom structures that were constructed to emulate specific aspects of a Zen garden. The homeowner wanted a low-maintenance garden whose beauty could withstand the tough seasonal weather that strikes the area at various times of the year. He also desired a mood-altering aesthetic that would relax the senses and calm the mind. Most importantly, he wanted this meditative environment completely shielded from the outside world so he could find serenity in total privacy. The most unique design element in this entire project is the roof of the shade arbor itself. It features a “negative space” leaf pattern that was designed in a software suite and cut out of the metal with a water jet cutter. Each form in the pattern is loosely suggestive of either a leaf, or a cluster of leaves. These small, negative spaces cut from the metal are the source of the structure’ powerful visual and emotional impact. During the day, sunlight shines down and highlights columns, furniture, plantings, and gravel with a blend of dappling and shade that make you feel like you are sitting under the branches of a tree. At night, the effects are even more brilliant. Skillfully concealed lights mounted on the trusses reflect off the steel in places, while in other places they penetrate the negative spaces, cascading brilliant patterns of ambient light down on vegetation, hardscape, and water alike. The shade arbor shelters two gravel patios that are almost identical in space. The patio closest to the living room features a mini outdoor dining room, replete with tables and chairs. The patio is ornamented with a blend of ornamental grass, a small human figurine sculpture, and mid-level impact ground cover. Gravel was chosen as the preferred hardscape material because of its Zen-like connotations. It is also remarkably soft to walk on, helping to set the mood for a relaxed afternoon in the dappled shade of gently filtered sunlight. The second patio, spaced 15 feet away from the first, resides adjacent to the home at the opposite end of the shade arbor. Like its twin, it is also ornamented with ground cover borders, ornamental grasses, and a large urn identical to the first. Seating here is even more private and contemplative. Instead of a table and chairs, there is a large decorative concrete bench cut in the shape of a giant four-leaf clover. Spanning the distance between these two patios, a bluestone walkway connects the two spaces. Along the way, its borders are punctuated in places by low-level ornamental grasses, a large flowering bush, another sculpture in the form of human faces, and foxtail ferns that spring up from a spread of river rock that punctuates the ends of the walkway. The meditative quality of the shade arbor is reinforced by two special features. The first of these is a disappearing fountain that flows from the top of a large vertical stone embedded like a monolith in the other edges of the river rock. The drains and pumps to this fountain are carefully concealed underneath the covering of smooth stones, and the sound of the water is only barely perceptible, as if it is trying to force you to let go of your thoughts to hear it. A large piece of core-10 steel, which is deliberately intended to rust quickly, rises up like an arced wall from behind the fountain stone. The dark color of the metal helps the casual viewer catch just a glimpse of light reflecting off the slow trickle of water that runs down the side of the stone into the river rock bed. To complete the quiet moment that the shade arbor is intended to invoke, a thick wall of cypress trees rises up on all sides of the yard, completely shutting out the disturbances of the world with a comforting wall of living greenery that comforts the thoughts and emotions.

Photography by Bruce Damonte

Charming stone bungalow in the smokey mountains. The original stone work was restored, new roof and passive solar added, reducing electricity costs by approximately 30%. We used ABC Landscaping to put in the new lawn and suggest landscaping. We built the custom planters to fit the rustic surroundings. The stone work on the edge of the lawn and the stairs are all new, deigned to match the home.

Photos copyright 2012 Scripps Network, LLC. Used with permission, all rights reserved.

Photo: Joe DeMaio

The Port Ludlow Residence is a compact, 2400 SF modern house located on a wooded waterfront property at the north end of the Hood Canal, a long, fjord-like arm of western Puget Sound. The house creates a simple glazed living space that opens up to become a front porch to the beautiful Hood Canal. The east-facing house is sited along a high bank, with a wonderful view of the water. The main living volume is completely glazed, with 12-ft. high glass walls facing the view and large, 8-ft.x8-ft. sliding glass doors that open to a slightly raised wood deck, creating a seamless indoor-outdoor space. During the warm summer months, the living area feels like a large, open porch. Anchoring the north end of the living space is a two-story building volume containing several bedrooms and separate his/her office spaces. The interior finishes are simple and elegant, with IPE wood flooring, zebrawood cabinet doors with mahogany end panels, quartz and limestone countertops, and Douglas Fir trim and doors. Exterior materials are completely maintenance-free: metal siding and aluminum windows and doors. The metal siding has an alternating pattern using two different siding profiles. The house has a number of sustainable or “green” building features, including 2x8 construction (40% greater insulation value); generous glass areas to provide natural lighting and ventilation; large overhangs for sun and rain protection; metal siding (recycled steel) for maximum durability, and a heat pump mechanical system for maximum energy efficiency. Sustainable interior finish materials include wood cabinets, linoleum floors, low-VOC paints, and natural wool carpet.

Morehouse MacDonald and Associates worked with landscape architect Gregory Lombardi and interior designer James Radin to create this contemporary take on the Arts and Craft style for a discerning Boston client. New Hampshire granite was selected to establish a strong base or plinth for the house. Careful use of stucco, corbeled overhangs, and layered roof lines generate a sturdy yet elegant statement. Photography by Sam Gray.

This metal tile roof is absolutely amazing with a dramatic barrel roll ridge vent and matchng metal tile over the bay windows and front entry way, this hip roof home is stunning. What's even more impressive it that metal tile roofs way about 1/10 as much as concrete tile!!

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

4,000 feet above sea level in the Southern California desert town of Yucca Valley rests this magnificent steel house prototype from Blue Sky Homes. The project showcases ASC Building Products’ Iron Ox corrugated wall panel and Design Span® hp standing seam metal roofing. Iron Ox is made from unpainted and untreated steel which allows the surface to rust and form a natural iron oxide finish. This provides a stunning, aged appearance. The project also includes a host of other steel products from ASC Building Products’ sister companies, AEP Span and ASC Steel Deck, including structural steel composite floor deck and over 1,200 feet of AEP Span cold-formed structural Cee Sections. Photo credit: Nuvue Interactive

This Boerum Hill, Brooklyn backyard features an ipe deck, knotty cedar fencing, artificial turf, a cedar pergola with corrugated metal roof, stepping stones, and loose Mexican beach stones. The contemporary outdoor furniture is from Restoration Hardware. Plantings are a lush mix of grasses, cherry trees, bamboo, roses, trumpet vines, variegated irises, hydrangeas, and sky pencil hollies.

red door,grey stucco, grey metal siding, grey metal roof, flat roof,

Photo by June Cannon, Trestlewood