Christmas Lake Towering Achievement

This glass tower offered a fanciful solution to a practical problem. The kitchen in this split-level home was located in the center of the home with no windows. The owner's desire for natural lighting led the architect to design this glass tower above the kitchen which serves double duty as both an observation deck and a glass lid for the kitchen.

This Faure Halvorsen design features a guest house and a lookout tower above the main home. Built entirely of rustic logs and featuring lots of reclaimed materials, this is the epitome of Big Sky log cabins. Project Manager: John A. Venner, Superintendent, Project Manager, Owner Architect: Faure Halvorsen Architects Photographer: Karl Neumann Photography

Originally built in 1889 a short walk from the old East Falls Church rail station, the vaguely reminiscent gothic Victorian was a landmark in a neighborhood of late 19th century wood frame homes. The two story house had been changed many times over its 116 year life with most of the changes diminishing the style and integrity of the original home. Beginning during the mid-twentieth century, few of the changes could be seen as improvements. The wonderfully dominate front tower was obscured by a bathroom shed roof addition. The exterior skin was covered with asbestos siding, requiring the removal of any wood detailing projecting from its surface. Poorly designed diminutive additions were added to the rear creating small, awkward, low ceiling spaces that became irrelevant to the modern user. The house was in serious need of a significant renovation and restoration. A young family purchased the house and immediately realized the inadequacies; sub-par spaces, kitchen, bathrooms and systems. The program for this project was closely linked to aesthetics, function and budget. The program called for significantly enlarging the house with a major new rear addition taking the place of the former small additions. Critically important to the program was to not only protect the integrity of the original house, but to restore and expand the house in such a way that the addition would be seamless. The completed house had to fulfill all of the requirements of a modern house with significant living spaces, including reconfigured foyer, living room and dining room on the first floor and three modified bedrooms on the second floor. On the rear of the house a new addition created a new kitchen, family room, mud room, powder room and back stair hall. This new stair hall connected the new and existing first floor to a new basement recreation room below and a new master bedroom suite with laundry and second bathroom on the second floor. The entire exterior of the house was stripped to the original sheathing. New wood windows, wood lap siding, wall trim including roof eave and rake trim were installed. Each of the details on the exterior of the house matched the original details. This fact was confirmed by researching the house and studying turn-of-the-century photographs. The second floor addition was removed, facilitating the restoration of the four sided mansard roof tower. The final design for the house is strong but not overpowering. As a renovated house, the finished product fits the neighborhood, restoring its standing as a landmark, satisfying the owner’s needs for house and home. Hoachlander Davis Photography

A custom staircase with a seating and coat area at the bottom. The stairs boast high-quality craftsmanship that seamlessly fit with the rest of the home. For more about Angela Todd Studios, click here: https://www.angelatoddstudios.com/

This residence was a complete gut renovation of a 4-story row house in Park Slope, and included a new rear extension and penthouse addition. The owners wished to create a warm, family home using a modern language that would act as a clean canvas to feature rich textiles and items from their world travels. As with most Brooklyn row houses, the existing house suffered from a lack of natural light and connection to exterior spaces, an issue that Principal Brendan Coburn is acutely aware of from his experience re-imagining historic structures in the New York area. The resulting architecture is designed around moments featuring natural light and views to the exterior, of both the private garden and the sky, throughout the house, and a stripped-down language of detailing and finishes allows for the concept of the modern-natural to shine. Upon entering the home, the kitchen and dining space draw you in with views beyond through the large glazed opening at the rear of the house. An extension was built to allow for a large sunken living room that provides a family gathering space connected to the kitchen and dining room, but remains distinctly separate, with a strong visual connection to the rear garden. The open sculptural stair tower was designed to function like that of a traditional row house stair, but with a smaller footprint. By extending it up past the original roof level into the new penthouse, the stair becomes an atmospheric shaft for the spaces surrounding the core. All types of weather – sunshine, rain, lightning, can be sensed throughout the home through this unifying vertical environment. The stair space also strives to foster family communication, making open living spaces visible between floors. At the upper-most level, a free-form bench sits suspended over the stair, just by the new roof deck, which provides at-ease entertaining. Oak was used throughout the home as a unifying material element. As one travels upwards within the house, the oak finishes are bleached to further degrees as a nod to how light enters the home. The owners worked with CWB to add their own personality to the project. The meter of a white oak and blackened steel stair screen was designed by the family to read “I love you” in Morse Code, and tile was selected throughout to reference places that hold special significance to the family. To support the owners’ comfort, the architectural design engages passive house technologies to reduce energy use, while increasing air quality within the home – a strategy which aims to respect the environment while providing a refuge from the harsh elements of urban living. This project was published by Wendy Goodman as her Space of the Week, part of New York Magazine’s Design Hunting on The Cut. Photography by Kevin Kunstadt

Lowrey Design Group, Inc

Angle Eye Photography

Natural walnut circular stair. RIMO PHOTO LLC - Rich Montalbano

Upper landing of the circular stair tower with coffered ceiling.

Edward Hendricks

The Eagle Harbor Cabin is located on a wooded waterfront property on Lake Superior, at the northerly edge of Michigan’s Upper Peninsula, about 300 miles northeast of Minneapolis. The wooded 3-acre site features the rocky shoreline of Lake Superior, a lake that sometimes behaves like the ocean. The 2,000 SF cabin cantilevers out toward the water, with a 40-ft. long glass wall facing the spectacular beauty of the lake. The cabin is composed of two simple volumes: a large open living/dining/kitchen space with an open timber ceiling structure and a 2-story “bedroom tower,” with the kids’ bedroom on the ground floor and the parents’ bedroom stacked above. The interior spaces are wood paneled, with exposed framing in the ceiling. The cabinets use PLYBOO, a FSC-certified bamboo product, with mahogany end panels. The use of mahogany is repeated in the custom mahogany/steel curvilinear dining table and in the custom mahogany coffee table. The cabin has a simple, elemental quality that is enhanced by custom touches such as the curvilinear maple entry screen and the custom furniture pieces. The cabin utilizes native Michigan hardwoods such as maple and birch. The exterior of the cabin is clad in corrugated metal siding, offset by the tall fireplace mass of Montana ledgestone at the east end. The house has a number of sustainable or “green” building features, including 2x8 construction (40% greater insulation value); generous glass areas to provide natural lighting and ventilation; large overhangs for sun and snow protection; and metal siding for maximum durability. Sustainable interior finish materials include bamboo/plywood cabinets, linoleum floors, locally-grown maple flooring and birch paneling, and low-VOC paints.

A partially frosted glass ‘lantern’ containing the stair adds light and view while retaining privacy. / photo: Dave Koga and Andrew Goeser

Photo by: John Jenkins, Image Source Inc