This residence was a complete gut renovation of a 4-story row house in Park Slope, and included a new rear extension and penthouse addition. The owners wished to create a warm, family home using a modern language that would act as a clean canvas to feature rich textiles and items from their world travels. As with most Brooklyn row houses, the existing house suffered from a lack of natural light and connection to exterior spaces, an issue that Principal Brendan Coburn is acutely aware of from his experience re-imagining historic structures in the New York area. The resulting architecture is designed around moments featuring natural light and views to the exterior, of both the private garden and the sky, throughout the house, and a stripped-down language of detailing and finishes allows for the concept of the modern-natural to shine. Upon entering the home, the kitchen and dining space draw you in with views beyond through the large glazed opening at the rear of the house. An extension was built to allow for a large sunken living room that provides a family gathering space connected to the kitchen and dining room, but remains distinctly separate, with a strong visual connection to the rear garden. The open sculptural stair tower was designed to function like that of a traditional row house stair, but with a smaller footprint. By extending it up past the original roof level into the new penthouse, the stair becomes an atmospheric shaft for the spaces surrounding the core. All types of weather – sunshine, rain, lightning, can be sensed throughout the home through this unifying vertical environment. The stair space also strives to foster family communication, making open living spaces visible between floors. At the upper-most level, a free-form bench sits suspended over the stair, just by the new roof deck, which provides at-ease entertaining. Oak was used throughout the home as a unifying material element. As one travels upwards within the house, the oak finishes are bleached to further degrees as a nod to how light enters the home. The owners worked with CWB to add their own personality to the project. The meter of a white oak and blackened steel stair screen was designed by the family to read “I love you” in Morse Code, and tile was selected throughout to reference places that hold special significance to the family. To support the owners’ comfort, the architectural design engages passive house technologies to reduce energy use, while increasing air quality within the home – a strategy which aims to respect the environment while providing a refuge from the harsh elements of urban living. This project was published by Wendy Goodman as her Space of the Week, part of New York Magazine’s Design Hunting on The Cut. Photography by Kevin Kunstadt

LG House (Edmonton Design :: thirdstone inc. [^] Photography :: Merle Prosofsky

This residence was a complete gut renovation of a 4-story row house in Park Slope, and included a new rear extension and penthouse addition. The owners wished to create a warm, family home using a modern language that would act as a clean canvas to feature rich textiles and items from their world travels. As with most Brooklyn row houses, the existing house suffered from a lack of natural light and connection to exterior spaces, an issue that Principal Brendan Coburn is acutely aware of from his experience re-imagining historic structures in the New York area. The resulting architecture is designed around moments featuring natural light and views to the exterior, of both the private garden and the sky, throughout the house, and a stripped-down language of detailing and finishes allows for the concept of the modern-natural to shine. Upon entering the home, the kitchen and dining space draw you in with views beyond through the large glazed opening at the rear of the house. An extension was built to allow for a large sunken living room that provides a family gathering space connected to the kitchen and dining room, but remains distinctly separate, with a strong visual connection to the rear garden. The open sculptural stair tower was designed to function like that of a traditional row house stair, but with a smaller footprint. By extending it up past the original roof level into the new penthouse, the stair becomes an atmospheric shaft for the spaces surrounding the core. All types of weather – sunshine, rain, lightning, can be sensed throughout the home through this unifying vertical environment. The stair space also strives to foster family communication, making open living spaces visible between floors. At the upper-most level, a free-form bench sits suspended over the stair, just by the new roof deck, which provides at-ease entertaining. Oak was used throughout the home as a unifying material element. As one travels upwards within the house, the oak finishes are bleached to further degrees as a nod to how light enters the home. The owners worked with CWB to add their own personality to the project. The meter of a white oak and blackened steel stair screen was designed by the family to read “I love you” in Morse Code, and tile was selected throughout to reference places that hold special significance to the family. To support the owners’ comfort, the architectural design engages passive house technologies to reduce energy use, while increasing air quality within the home – a strategy which aims to respect the environment while providing a refuge from the harsh elements of urban living. This project was published by Wendy Goodman as her Space of the Week, part of New York Magazine’s Design Hunting on The Cut. Photography by Kevin Kunstadt

This residence was a complete gut renovation of a 4-story row house in Park Slope, and included a new rear extension and penthouse addition. The owners wished to create a warm, family home using a modern language that would act as a clean canvas to feature rich textiles and items from their world travels. As with most Brooklyn row houses, the existing house suffered from a lack of natural light and connection to exterior spaces, an issue that Principal Brendan Coburn is acutely aware of from his experience re-imagining historic structures in the New York area. The resulting architecture is designed around moments featuring natural light and views to the exterior, of both the private garden and the sky, throughout the house, and a stripped-down language of detailing and finishes allows for the concept of the modern-natural to shine. Upon entering the home, the kitchen and dining space draw you in with views beyond through the large glazed opening at the rear of the house. An extension was built to allow for a large sunken living room that provides a family gathering space connected to the kitchen and dining room, but remains distinctly separate, with a strong visual connection to the rear garden. The open sculptural stair tower was designed to function like that of a traditional row house stair, but with a smaller footprint. By extending it up past the original roof level into the new penthouse, the stair becomes an atmospheric shaft for the spaces surrounding the core. All types of weather – sunshine, rain, lightning, can be sensed throughout the home through this unifying vertical environment. The stair space also strives to foster family communication, making open living spaces visible between floors. At the upper-most level, a free-form bench sits suspended over the stair, just by the new roof deck, which provides at-ease entertaining. Oak was used throughout the home as a unifying material element. As one travels upwards within the house, the oak finishes are bleached to further degrees as a nod to how light enters the home. The owners worked with CWB to add their own personality to the project. The meter of a white oak and blackened steel stair screen was designed by the family to read “I love you” in Morse Code, and tile was selected throughout to reference places that hold special significance to the family. To support the owners’ comfort, the architectural design engages passive house technologies to reduce energy use, while increasing air quality within the home – a strategy which aims to respect the environment while providing a refuge from the harsh elements of urban living. This project was published by Wendy Goodman as her Space of the Week, part of New York Magazine’s Design Hunting on The Cut. Photography by Kevin Kunstadt

This stained glass window was not original to the space. It was removed from a different house just before it was going to be torn down and installed in this house. It does a perfect job of letting light in with privacy. Photographer: John Wilbanks Interior Designer: Kathryn Tegreene Interior Design

Renovated to accommodate a family of eight, this oceanfront home proudly overlooks the gateway to Marblehead Neck. This renovation preserves and highlights the character and charm of the existing circa 1900 gambrel while providing comfortable living for this large family. The finished product is a unique combination of fresh traditional, as exemplified by the contrast of the pool house interior and exterior. Photo Credit: Eric Roth

This residence was a complete gut renovation of a 4-story row house in Park Slope, and included a new rear extension and penthouse addition. The owners wished to create a warm, family home using a modern language that would act as a clean canvas to feature rich textiles and items from their world travels. As with most Brooklyn row houses, the existing house suffered from a lack of natural light and connection to exterior spaces, an issue that Principal Brendan Coburn is acutely aware of from his experience re-imagining historic structures in the New York area. The resulting architecture is designed around moments featuring natural light and views to the exterior, of both the private garden and the sky, throughout the house, and a stripped-down language of detailing and finishes allows for the concept of the modern-natural to shine. Upon entering the home, the kitchen and dining space draw you in with views beyond through the large glazed opening at the rear of the house. An extension was built to allow for a large sunken living room that provides a family gathering space connected to the kitchen and dining room, but remains distinctly separate, with a strong visual connection to the rear garden. The open sculptural stair tower was designed to function like that of a traditional row house stair, but with a smaller footprint. By extending it up past the original roof level into the new penthouse, the stair becomes an atmospheric shaft for the spaces surrounding the core. All types of weather – sunshine, rain, lightning, can be sensed throughout the home through this unifying vertical environment. The stair space also strives to foster family communication, making open living spaces visible between floors. At the upper-most level, a free-form bench sits suspended over the stair, just by the new roof deck, which provides at-ease entertaining. Oak was used throughout the home as a unifying material element. As one travels upwards within the house, the oak finishes are bleached to further degrees as a nod to how light enters the home. The owners worked with CWB to add their own personality to the project. The meter of a white oak and blackened steel stair screen was designed by the family to read “I love you” in Morse Code, and tile was selected throughout to reference places that hold special significance to the family. To support the owners’ comfort, the architectural design engages passive house technologies to reduce energy use, while increasing air quality within the home – a strategy which aims to respect the environment while providing a refuge from the harsh elements of urban living. This project was published by Wendy Goodman as her Space of the Week, part of New York Magazine’s Design Hunting on The Cut. Photography by Kevin Kunstadt

For this house overlooking a salt water pond, my clients wanted a cozy little cottage, but one with an open floor plan, large public rooms, a sizable eat-in kitchen, four bedrooms, three and a half baths, and a den. To create this big house in a small package, we drew upon the Cape Cod tradition with a series of volumes stepping back along the edge of the coastal bank. From the street the house appears as a classic half Cape, but what looks like the main house is only the master suite. The two “additions” that appear behind it contain most of the house. The main entry is from the small farmer’s porch into a surprisingly spacious vaulted stair hall lit by a doghouse dormer and three small windows running up along the stair. The living room, dining room and kitchen are all open to each other, but defined by columns, ceiling beams and the substantial kitchen island. Large windows and glass doors at the back of the house provide views of the water. Upstairs are three more bedrooms including a second master suite with its own fireplace. The extensive millwork, trim, interior doors, paneling, ceiling treatments, stairs, railings and cabinets were all built on site. The construction of the kitchen was the subject of an article in Fine Homebuilding magazine.

Please see this Award Winning project in the October 2014 issue of New York Cottages & Gardens Magazine: NYC&G http://www.cottages-gardens.com/New-York-Cottages-Gardens/October-2014/NYCG-Innovation-in-Design-Winners-Kitchen-Design/ It was also featured in a Houzz Tour: Houzz Tour: Loving the Old and New in an 1880s Brooklyn Row House http://www.houzz.com/ideabooks/29691278/list/houzz-tour-loving-the-old-and-new-in-an-1880s-brooklyn-row-house Photo Credit: Hulya Kolabas

A further exploration in small scale living, this project was designed with the explicit idea that quality is better than quantity, and further, that the best way to have a small footprint is to literally have a small footprint. The project takes advantage of its small size to allow the use of higher quality and more advanced construction systems and materials while maintaining on overall modest cost point. Extensive use of properly oriented glazing connects the interior spaces to the landscape and provides a peaceful, quiet, and fine living environment.

Photo: Sarah Greenman © 2013 Houzz Read the Houzz article about this tree house: http://www.houzz.com/ideabooks/8884948/list/The-Most-Incredible-Kids--Tree-House-You-ll-Ever-See-

This small space bathroom features many small space tricks, including the perfect combination of mirror and glass, a beautiful floating vanity and an ample amount of storage in all of the right places. Photography by Brandon Barre.

The Port Ludlow Residence is a compact, 2400 SF modern house located on a wooded waterfront property at the north end of the Hood Canal, a long, fjord-like arm of western Puget Sound. The house creates a simple glazed living space that opens up to become a front porch to the beautiful Hood Canal. The east-facing house is sited along a high bank, with a wonderful view of the water. The main living volume is completely glazed, with 12-ft. high glass walls facing the view and large, 8-ft.x8-ft. sliding glass doors that open to a slightly raised wood deck, creating a seamless indoor-outdoor space. During the warm summer months, the living area feels like a large, open porch. Anchoring the north end of the living space is a two-story building volume containing several bedrooms and separate his/her office spaces. The interior finishes are simple and elegant, with IPE wood flooring, zebrawood cabinet doors with mahogany end panels, quartz and limestone countertops, and Douglas Fir trim and doors. Exterior materials are completely maintenance-free: metal siding and aluminum windows and doors. The metal siding has an alternating pattern using two different siding profiles. The house has a number of sustainable or “green” building features, including 2x8 construction (40% greater insulation value); generous glass areas to provide natural lighting and ventilation; large overhangs for sun and rain protection; metal siding (recycled steel) for maximum durability, and a heat pump mechanical system for maximum energy efficiency. Sustainable interior finish materials include wood cabinets, linoleum floors, low-VOC paints, and natural wool carpet.

Darren Kerr photography

For this house overlooking a salt water pond, my clients wanted a cozy little cottage, but one with an open floor plan, large public rooms, a sizable eat-in kitchen, four bedrooms, three and a half baths, and a den. To create this big house in a small package, we drew upon the Cape Cod tradition with a series of volumes stepping back along the edge of the coastal bank. From the street the house appears as a classic half Cape, but what looks like the main house is only the master suite. The two “additions” that appear behind it contain most of the house. The main entry is from the small farmer’s porch into a surprisingly spacious vaulted stair hall lit by a doghouse dormer and three small windows running up along the stair. The living room, dining room and kitchen are all open to each other, but defined by columns, ceiling beams and the substantial kitchen island. Large windows and glass doors at the back of the house provide views of the water. Upstairs are three more bedrooms including a second master suite with its own fireplace. The extensive millwork, trim, interior doors, paneling, ceiling treatments, stairs, railings and cabinets were all built on site. The construction of the kitchen was the subject of an article in Fine Homebuilding magazine.

A Memorial-area art collector residing in a chic modern home wanted his house to be more visible from the street. His yard was full of trees, and he asked us to consider removing them and developing a more modern landscape design that would fully complement the exterior of his home. He was a personal friend of ours as well, and he understood that our policy is to preserve as many trees as possible whenever we undertake a project. However, we decided to make an exception in his case for two reasons. For one thing, he was a very close friend to many people in our company. Secondly, large trees simply would not work with a landscape reflective of the modern architecture that his house featured. The house had been built as story structure that was formed around a blend of unique curves and angles very reminiscent of the geometric patterns common in modern sculpture and art. The windows had been built deliberately large, so that visitors driving up to the house could have a lighted glimpse into the interior, where many sculptures and works of modern art were showcased. The entire residence, in fact, was meant to showcase the eclectic diversity of his artistic tastes, and provide a glimpse at the elegant contents within the home. He asked us to create more modern look to the landscape that would complement the residence with patterns in vegetation, ornamentation, and a new lighted water fountain that would act like a mirror-image of the home. He also wanted us to sculpt the features we created in such a way as to center the eye of the viewer and draw it up and over the landscape to focus on the house itself. The challenge was to develop a truly sophisticated modern landscaping design that would compliment, but in no way overpower the façade of the home. In order to do this, we had to focus very carefully on the geometric appearance of the planting areas first. Since the vegetation would be surrounding a very large, circular stone drive, we took advantage of the contours and created a sense of flowing perspective. We were then very careful to plant vegetation that could be maintained at a very low growth height. This was to prevent vegetation from behaving like the previous trees which had blocked the view of the house. Small hedges, ferns, and flowers were planted in winding rows that followed the course of the circular stone driveway that surrounded the fountain. We then centered this new modern landscape plan with a very sophisticated contemporary fountain. We chose a circular shape for the fountain both to center the eye and to work as a compliment to the curved elements in the home’s exterior design. We selected black granite as the building material, partly because granite speaks to the monumental, and partly because it is a very common material for modern architecture and outdoor contemporary sculpture. We placed the fountain in the very center of the driveway as well, which had the effect of making the entire landscape appear to converge toward the middle of the home’s façade. To add a sense of eclectic refinement to the fountain, we then polished the granite so that anyone driving or walking up to the fountain would see a reflection of the home in the base. To maintain consistency of the circular shape, we radius cut all of the coping around the fountain was all radius cut from polished limestone. The lighter color of the limestone created an archetypal contrast of light and darkness, further contributing to the modern theme of the landscape design, and providing a surface for illumination so the fountain would remain an established keynote on the landscape during the night.

Pool & Pool House Stowe, Vermont This mountain top residential site offers spectacular 180 degree views towards adjacent hillsides. The client desired to replace an existing pond with a pool and pool house to be used for both entertaining and family use. The open site is adjacent to the driveway to the north but offered spectacular mountain views to the south. The challenge was to provide privacy at the pool without obstructing the beautiful vista from the entry drive. Working closely with the architect we designed the pool and pool house as one modern element closely linked by proximity, detailing & geometry. In so doing, we used precise placement, careful choice of building & site materials, and minimalist planting. Existing trees were edited to open up selected views to the south. Rows of ornamental grasses provide architectural delineation of outdoor space. Understated stone steps in the lawn loosely connect the pool to the main house. Architect: Michael Minadeo + Partners Image Credit: Westphalen Photography

WINNER - AIA/BSA Design Award 2012 - 2012 EcoHome Design Award - PRISM 2013 Award This LEED Gold certified vacation residence located in a beautiful ocean community on the New England coast features high performance and creative use of space in a small package. ZED designed the simple, gable-roofed structure and proposed the Passive House standard. The resulting home consumes only one-tenth of the energy for heating compared to a similar new home built only to code requirements. Architecture | ZeroEnergy Design Construction | Aedi Construction Photos | Greg Premru Photography