An abundance of living space is only part of the appeal of this traditional French county home. Strong architectural elements and a lavish interior design, including cathedral-arched beamed ceilings, hand-scraped and French bleed-edged walnut floors, faux finished ceilings, and custom tile inlays add to the home's charm. This home features heated floors in the basement, a mirrored flat screen television in the kitchen/family room, an expansive master closet, and a large laundry/crafts room with Romeo & Juliet balcony to the front yard. The gourmet kitchen features a custom range hood in limestone, inspired by Romanesque architecture, a custom panel French armoire refrigerator, and a 12 foot antiqued granite island. Every child needs his or her personal space, offered via a large secret kids room and a hidden passageway between the kids' bedrooms. A 1,000 square foot concrete sport court under the garage creates a fun environment for staying active year-round. The fun continues in the sunken media area featuring a game room, 110-inch screen, and 14-foot granite bar. Story - Midwest Home Magazine Photos - Todd Buchanan Interior Designer - Anita Sullivan

MIRIAM MOORE has a Bachelor of Fine Arts degree in Interior Design from Miami International University of Art and Design. She has been responsible for numerous residential and commercial projects and her work is featured in design publications with national circulation. Before turning her attention to interior design, Miriam worked for many years in the fashion industry, owning several high-end boutiques. Miriam is an active member of the American Society of Interior Designers (ASID).

Point West

Navajo white by BM trim color Bleeker beige call color by BM dark walnut floor stain

Photography by William Quarles Designed by Red Element cabinets built by Robert Paige Cabinetry

This foyer was previously dark and uninviting, but with the use of lighter finishes, graphic wallpaper and a large mirror to reflect light, the space has completely transformed into a stunning entryway. photo credit Neely Catignani

The stylish entry has very high ceilings and paned windows. The dark wood console table grounds the tranquil artwork that hangs above it and the geometric pattern of the rug that lies below it. Photography by Marco Ricca

Small, urban foyer with original 1920's hardwood.

Originally built as a modest two-bedroom post-World War II brick and block rambler in 1951, this house has assumed an entirely new identity, assimilating the turn-of-the-century farmhouse and early century Craftsman bungalow aesthetic. The program for this project was tightly linked to aesthetics, function and budget. The owner had lived in this plain brick box for eight years, making modest changes, which included new windows, a new kitchen addition on the rear, and a new coat of paint. While this helped to lessen the stark contrast between his house and the wonderful Craftsman style houses in the neighborhood, the changes weren’t enough to satisfy the owner’s love of the great American bungalow. The architect was called back to create a house that truly fit the neighborhood. The renovated house had to: 1) fit the bungalow style both outside and inside; 2) double the square footage of the existing house, creating new bedrooms on the second floor, and reorganizing the first floor spaces; and 3) fit a budget that forced the total reuse of the existing structure, including the new replacement windows and new kitchen wing from the previous project. The existing front wall of the house was pulled forward three feet to maximize the existing front yard building setback. A six-foot deep porch that stretched across most of the new front elevation was added, pulling the house closer to the street to match the front yard setbacks of other local early twentieth century houses. This cozier relationship to the street and the public made for a more comfortable and less imposing siting. The front rooms of the house became new public spaces, with the old living room becoming the Inglenook and entry foyer, while the old front bedroom became the new living room. A new stairway was positioned on axis with the new front door, but set deep into the house adjacent to the reconfigured dining room. The kitchen at the rear that had been opened up during the 1996 modifications was closed down again, creating clearly defined spaces, but spaces that are connected visually from room to room. At the top of the new stair to the second floor is a short efficient hall with a twin window view to the rear yard. From this hall are entrances to the master bedroom, second bedroom and master bathroom. The new master bedroom located on the centerline of the front of the house, fills the entire front dormer with three exposures of windows facing predominately east to catch the morning light. Off of this private space is a study and walk-in closet tucked under the roof eaves of the new second floor. The new master bathroom, adjacent to the master bedroom with an exit to the hall, has matching pedestal sinks with custom wood medicine cabinets, a soaking tub, a large shower with a round-river-stone floor with a high window facing into the rear yard, and wood paneling similar to the new wood paneling on the first floor spaces. Hoachlander Davis Photography

Entry Foyer, Photo by J.Sinclair

Custom mahogany double doors and hand cut stone for exterior masonry combined with stained cedar shingles

Page One Interiors,Paul Schlissman

© Susan Gilmore Photo