Square Pillar Designs & Ideas
Cameo Kitchens, Inc.
Features: Custom Wood Hood with Pull Out Spice Racks,
Mantel, Motif, and Corbels; Varied Height Cabinetry; Art for
Everyday Turned Posts # F-1; Art for Everyday Corbels
# CBL-TCY1, Beadboard; Wood Mullion and Clear
Beveled Glass Doors; Bar Area; Double Panel Doors;
Coffered Ceiling; Enhancement Window; Art for
Everyday Mantels # MTL-A1 and # MTL-A0; Desk Area
Cabinets- Main Kitchen: Honey Brook Custom in Maple Wood
with Seapearl Paint and Glaze; Voyager Full Overlay Door
Style with C-2 Lip
Cabinets- Island & Bar Area: Honey Brook Custom in Cherry
Wood with Colonial Finish; Voyager Full Overlay Door
Style with C-2 Lip
Countertops- Main Kitchen: Golden Beach Granite with
Double Pencil Edge
Countertops- Island and Bar Area: Golden Beach Granite
with Waterfall Edge
Kitchen Designer: Tammy Clark
Photograph: Kelly Keul Duer
Charles Cunniffe Architects Aspen
Family/Entertaining Room with Linear Fireplace by Charles Cunniffe Architects http://cunniffe.com/projects/willoughby-way/ Photo by David O. Marlow
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Linda McDougald Design | Postcard from Paris Home
This lovely home sits in one of the most pristine and preserved places in the country - Palmetto Bluff, in Bluffton, SC. The natural beauty and richness of this area create an exceptional place to call home or to visit. The house lies along the river and fits in perfectly with its surroundings.
4,000 square feet - four bedrooms, four and one-half baths
All photos taken by Rachael Boling Photography
A.S.D. Interiors - Shirry Dolgin, Owner
Contemporary living room with casual sofas and draperies. Mismatch pillows give the room a pop of color.
Upside Development
Upside Development completed an contemporary architectural transformation in Taylor Creek Ranch. Evolving from the belief that a beautiful home is more than just a very large home, this 1940’s bungalow was meticulously redesigned to entertain its next life. It's contemporary architecture is defined by the beautiful play of wood, brick, metal and stone elements. The flow interchanges all around the house between the dark black contrast of brick pillars and the live dynamic grain of the Canadian cedar facade. The multi level roof structure and wrapping canopies create the airy gloom similar to its neighbouring ravine.
Jane Kim Architect
Photography by Eduard Hueber / archphoto
North and south exposures in this 3000 square foot loft in Tribeca allowed us to line the south facing wall with two guest bedrooms and a 900 sf master suite. The trapezoid shaped plan creates an exaggerated perspective as one looks through the main living space space to the kitchen. The ceilings and columns are stripped to bring the industrial space back to its most elemental state. The blackened steel canopy and blackened steel doors were designed to complement the raw wood and wrought iron columns of the stripped space. Salvaged materials such as reclaimed barn wood for the counters and reclaimed marble slabs in the master bathroom were used to enhance the industrial feel of the space.
Moore Architects, PC
Originally built as a modest two-bedroom post-World War II brick and block rambler in 1951, this house has assumed an entirely new identity, assimilating the turn-of-the-century farmhouse and early century Craftsman bungalow aesthetic.
The program for this project was tightly linked to aesthetics, function and budget. The owner had lived in this plain brick box for eight years, making modest changes, which included new windows, a new kitchen addition on the rear, and a new coat of paint. While this helped to lessen the stark contrast between his house and the wonderful Craftsman style houses in the neighborhood, the changes weren’t enough to satisfy the owner’s love of the great American bungalow. The architect was called back to create a house that truly fit the neighborhood. The renovated house had to: 1) fit the bungalow style both outside and inside; 2) double the square footage of the existing house, creating new bedrooms on the second floor, and reorganizing the first floor spaces; and 3) fit a budget that forced the total reuse of the existing structure, including the new replacement windows and new kitchen wing from the previous project.
The existing front wall of the house was pulled forward three feet to maximize the existing front yard building setback. A six-foot deep porch that stretched across most of the new front elevation was added, pulling the house closer to the street to match the front yard setbacks of other local early twentieth century houses. This cozier relationship to the street and the public made for a more comfortable and less imposing siting. The front rooms of the house became new public spaces, with the old living room becoming the Inglenook and entry foyer, while the old front bedroom became the new living room. A new stairway was positioned on axis with the new front door, but set deep into the house adjacent to the reconfigured dining room. The kitchen at the rear that had been opened up during the 1996 modifications was closed down again, creating clearly defined spaces, but spaces that are connected visually from room to room.
At the top of the new stair to the second floor is a short efficient hall with a twin window view to the rear yard. From this hall are entrances to the master bedroom, second bedroom and master bathroom. The new master bedroom located on the centerline of the front of the house, fills the entire front dormer with three exposures of windows facing predominately east to catch the morning light. Off of this private space is a study and walk-in closet tucked under the roof eaves of the new second floor. The new master bathroom, adjacent to the master bedroom with an exit to the hall, has matching pedestal sinks with custom wood medicine cabinets, a soaking tub, a large shower with a round-river-stone floor with a high window facing into the rear yard, and wood paneling similar to the new wood paneling on the first floor spaces.
Hoachlander Davis Photography
Schrader & Companies
The Victoria era ended more then 100 years ago, but it's design influences-deep, rich colors, wallpaper with bold patterns and velvety textures, and high-quality, detailed millwork-can still be found in the modern-day homes, such as this 7,500-square-foot beauty in Medina.
The home's entrance is fit for a king and queen. A dramatic two-story foyer opens up to 10-foot ceilings, graced by a curved staircase, a sun-filled living room that takes advantage of the views of the three-acre property, and a music room, featuring the homeowners' baby grand piano.
"Each unique room has a sense of separation, yet there's an open floor plan", explains Andy Schrader, president of Schrader & Companies, the builder behind this masterpiece.
The home features four bedrooms and five baths, including a stunning master suite with and expansive walk-in master shower-complete with exterior and interior windows and a rain showerhead suspended from the ceiling. Other luxury amenities include main- and upper level laundries, four garage stalls, an indoor sport court, a workroom for the wife (with French doors accessing a personal patio), and a vestibule opening to the husband's office, complete with ship portal.
The nucleus of this home is the kitchen, with a wall of windows overlooking a private pond, a cathedral vaulted ceiling, and a unique Romeo-and-Juliet balcony, a trademark feature of the builder.
Story courtesy or Midwest Home Magazine-August 2012
Written by Christina Sarinske
Photographs courtesy of Scott Jacobson
Square Pillar Designs & Ideas
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