The Charles and Ray Eames lounge chair & ottoman are right at home in this modern living room -- as are the vintage white leather "wing chairs." The wood-clad walls echo the wood found in the Eames chair and provide warmth when contrasted against the glass walls and steel beams. By Kenneth Brown Design.

View of the pivot doors that open the living space onto the pool deck. The polished travertine floor on the interior extends around the pool where a rougher finish provides a slip resistant surface. Hal Lum

House By The Pond The overall design of the house was a direct response to an array of environmental regulations, site constraints, solar orientation and specific programmatic requirements. The strategy was to locate a two story volume that contained all of the bedrooms and baths, running north/south, along the western side of the site. An open, lofty, single story pavilion, separated by an interstitial space comprised of two large glass pivot doors, was located parallel to the street. This lower scale street front pavilion was conceived as a breezeway. It connects the light and activity of the yard and pool area to the south with the view and wildlife of the pond to the north. The exterior materials consist of anodized aluminum doors, windows and trim, cedar and cement board siding. They were selected for their low maintenance, modest cost, long-term durability, and sustainable nature. These materials were carefully detailed and installed to support these parameters. Overhangs and sunshades limit the need for summer air conditioning while allowing solar heat gain in the winter. Specific zoning, an efficient geothermal heating and cooling system, highly energy efficient glazing and an advanced building insulation system resulted in a structure that exceeded the requirements of the energy star rating system. Photo Credit: Matthew Carbone and Frank Oudeman

12,000 sq ft glass penthouse on the rooftop of a 17 story apartment building in downtown Manchester, NH. Video Tour: http://youtu.be/yYk7t53-A5Y

Photo Andrew Wuttke

Photography by: Susan Teare

The addition acts as a threshold from a new entry to the expansive site beyond. Glass becomes the connector between old and new, top and bottom, copper and stone. Reclaimed wood treads are used in a minimally detailed open stair connecting living spaces to a new hall and bedrooms above. Photography: Jeffrey Totaro

Photography-Hedrich Blessing Glass House: The design objective was to build a house for my wife and three kids, looking forward in terms of how people live today. To experiment with transparency and reflectivity, removing borders and edges from outside to inside the house, and to really depict “flowing and endless space”. To construct a house that is smart and efficient in terms of construction and energy, both in terms of the building and the user. To tell a story of how the house is built in terms of the constructability, structure and enclosure, with the nod to Japanese wood construction in the method in which the concrete beams support the steel beams; and in terms of how the entire house is enveloped in glass as if it was poured over the bones to make it skin tight. To engineer the house to be a smart house that not only looks modern, but acts modern; every aspect of user control is simplified to a digital touch button, whether lights, shades/blinds, HVAC, communication/audio/video, or security. To develop a planning module based on a 16 foot square room size and a 8 foot wide connector called an interstitial space for hallways, bathrooms, stairs and mechanical, which keeps the rooms pure and uncluttered. The base of the interstitial spaces also become skylights for the basement gallery. This house is all about flexibility; the family room, was a nursery when the kids were infants, is a craft and media room now, and will be a family room when the time is right. Our rooms are all based on a 16’x16’ (4.8mx4.8m) module, so a bedroom, a kitchen, and a dining room are the same size and functions can easily change; only the furniture and the attitude needs to change. The house is 5,500 SF (550 SM)of livable space, plus garage and basement gallery for a total of 8200 SF (820 SM). The mathematical grid of the house in the x, y and z axis also extends into the layout of the trees and hardscapes, all centered on a suburban one-acre lot.

Lower ceilings were left in the kitchen and den so that clerestory windows could enhance the floating nature of the roof above. Photo: William MacCollum

Photo: Ben Benschneider

The pool was conceived of as a jar of blinking fire flies. The light comes from over a hundred fiber optic nodes that blink on and off.

Night table in solid wood available with 1 or 2 drawers.

This home was designed with a clean, modern aesthetic that imposes a commanding view of its expansive riverside lot. The wide-span, open wing design provides a feeling of open movement and flow throughout the home. Interior design elements are tightly edited to their most elemental form. Simple yet daring lines simultaneously convey a sense of energy and tranquility. Super-matte, zero sheen finishes are punctuated by brightly polished stainless steel and are further contrasted by thoughtful use of natural textures and materials. The judges said “this home would be like living in a sculpture. It’s sleek and luxurious at the same time.” The award for Best In Show goes to RG Designs Inc. and K2 Design Group Designers: Richard Guzman with Jenny Provost From: Bonita Springs, Florida

The basement bathroom features a frameless glass shower wrapped in dark tile, with a wood niche for storing shower products. Photo by Scott Norsworthy