10' ceilings and 2-story windows surrounding this space (not in view) bring plenty of natural light into this casual and contemporary cook's kitchen. Other views of this kitchen and the adjacent Great Room are also available on houzz. Builder: Robert Egge Construction (Woodinville, WA). Cabinets: Jesse Bay Cabinets (Port Angeles, WA) Design: Studio 212 Interiors

Our carpenters labored every detail from chainsaws to the finest of chisels and brad nails to achieve this eclectic industrial design. This project was not about just putting two things together, it was about coming up with the best solutions to accomplish the overall vision. A true meeting of the minds was required around every turn to achieve "rough" in its most luxurious state. Featuring: Floating vanity, rough cut wood top, beautiful accent mirror and Porcelanosa wood grain tile as flooring and backsplashes. PhotographerLink

Custom cabinetry makes this marble topped vanity a standout piece. Paired with unique lighting features and hardware. Jim Brady Architectural Photography

Laurey W. Glenn (courtesy Southern Living)

Carol Reed Interior Design

Photos: Thome Photography. Floor - is an oak floor painted black with a low-sheen urethane finish. Shower - is a marble shower pan with a pebble finish - there is a hidden trough drain under the shower seat allowing us to eliminate the center drain and enjoy the beauty of the full slab of marble. The glass is a seamless european-style surround and it is held at the top by a basic black plumber's pipe and components giving it it's industrial esthetic. Beams -These were not original beams, we created the look to appear original but they are new wood, sanded, stained and finished to look old. Bathtub - The bathtub is a Kohler Vintage Free Standing tub with a cove-trim base. Tower - The bathroom tower was custom built by an artisan in the region. Countertop - The countertop is a wood stained, hand-hewn walnut with a marine finish (helps with water absorption) and custom cut by fabricator Light Fixtures - These light fixtures were from WaterWorks Walls - The walls are large scale bead boards with a sprayed lacquer conversion varnish which gives it the clean white look

The first floor master bedroom features paneled walls and a cathedral ceiling with paneling and chamfered beams. Larry Malvin Photography

Originally built as a modest two-bedroom post-World War II brick and block rambler in 1951, this house has assumed an entirely new identity, assimilating the turn-of-the-century farmhouse and early century Craftsman bungalow aesthetic. The program for this project was tightly linked to aesthetics, function and budget. The owner had lived in this plain brick box for eight years, making modest changes, which included new windows, a new kitchen addition on the rear, and a new coat of paint. While this helped to lessen the stark contrast between his house and the wonderful Craftsman style houses in the neighborhood, the changes weren’t enough to satisfy the owner’s love of the great American bungalow. The architect was called back to create a house that truly fit the neighborhood. The renovated house had to: 1) fit the bungalow style both outside and inside; 2) double the square footage of the existing house, creating new bedrooms on the second floor, and reorganizing the first floor spaces; and 3) fit a budget that forced the total reuse of the existing structure, including the new replacement windows and new kitchen wing from the previous project. The existing front wall of the house was pulled forward three feet to maximize the existing front yard building setback. A six-foot deep porch that stretched across most of the new front elevation was added, pulling the house closer to the street to match the front yard setbacks of other local early twentieth century houses. This cozier relationship to the street and the public made for a more comfortable and less imposing siting. The front rooms of the house became new public spaces, with the old living room becoming the Inglenook and entry foyer, while the old front bedroom became the new living room. A new stairway was positioned on axis with the new front door, but set deep into the house adjacent to the reconfigured dining room. The kitchen at the rear that had been opened up during the 1996 modifications was closed down again, creating clearly defined spaces, but spaces that are connected visually from room to room. At the top of the new stair to the second floor is a short efficient hall with a twin window view to the rear yard. From this hall are entrances to the master bedroom, second bedroom and master bathroom. The new master bedroom located on the centerline of the front of the house, fills the entire front dormer with three exposures of windows facing predominately east to catch the morning light. Off of this private space is a study and walk-in closet tucked under the roof eaves of the new second floor. The new master bathroom, adjacent to the master bedroom with an exit to the hall, has matching pedestal sinks with custom wood medicine cabinets, a soaking tub, a large shower with a round-river-stone floor with a high window facing into the rear yard, and wood paneling similar to the new wood paneling on the first floor spaces. Hoachlander Davis Photography

The original objective was to design an efficient, mountain contemporary cabin with emphasis on light, layout and landscape. Each form delivers natural light to its respective space while contributing to the composition as a whole. Local granite flows in and out bringing the natural environment into the home. A detached pavilion and covered patios with opening wall doors provide living area for all seasons. The low pitch contemporary shed roof forms balance with the mountain gables and timber details. The contemporary roof forms bathe the rustic stone and wood material palate in sunlight creating a warm, inviting space. Photo by Matt Waclo.